However, the cover that has best stood the test of time, with its recognizably cheerful piccolo duet in the first few bars, is Dean Martin’s recording featuring an orchestra led by Gus Levene from the 1959 album A Winter Romance (Capitol). Swanson Quartet’s (single, Columbia, 1950), Jo Stafford and the Starlighters’ (on Happy Holiday, 1955, Columbia), and Ella Fitzgerald’s (on Ella Wishes You a Swinging Christmas, 1960, Verve). More popular recordings include Frank Sinatra and the B. Woody Herman released his own arrangement with his orchestra for Columbia Records that reached #7 while Monroe’s was at #1, but it is also unknown to most modern listeners. It’s a lovely recording, complete with full, brassy big band spectacle, but it’s not the most familiar version to ears over seventy years later. It was released in time for Christmas 1945 and reached #1 on the Billboard Best Sellers chart by late January. “Let it Snow” was quickly handed off to vocalist and big band leader Vaughn Monroe to record for RCA Victor.
It seems she obliges, as the final verse mentions the fire slowly dying and how they’re still “goodbye-ing.” This vignette sounds awfully familiar to, but much less morally questionable than, the exchange between two lovers in Frank Loesser’s “Baby, It’s Cold Outside.” Loesser wrote his tune a year earlier (in 1944), but it was not recorded until he sold the song to MGM in 1948 to be used in their upcoming film, Neptune’s Daughter (more on that in a forthcoming post). It’s possible that Cahn and Styne may have heard the song at one of Loesser’s Christmas parties before writing “Let it Snow,” but it’s rather unlikely. He suggests that, since there’s no immediate need for him to leave, the two stay by the warm fire, pop some popcorn (that he had evidently brought with him and withheld until that point), and turn the lights down low. The song sets the scene of a fellow who is reluctant to head out into a snowstorm after spending a romantic evening with his sweetheart. The first edition of sheet music for “Let it Snow” with a photo of Vaughn Monroe. The result was “Let it Snow! Let it Snow! Let it Snow!” It’s hard to imagine that a song dedicated to frozen precipitation was composed in 100+° temperatures in Southern California. Over in an office on Hollywood and Vine, the not-yet-famous Broadway composer Jule Styne and lyricist Sammy Cahn decided that rather than spending the hot summer day at the beach, they would craft a tune about winter weather. Apparently, they weren’t the only songwriting team in town inspired by the triple-digit figures on the thermometer to dream about winters up north. On Friday, we learned how composer Mel Tormé and lyricist Bob Wells wrote “The Christmas Song” in an attempt to get their mind off the blistering heat Los Angeles was experiencing in July of 1945. so the song was about wishful thinking, not XMAS.Jule Styne and Sammy Cahn.
And that's what just prompted Cahn's widow to sue Warner.īy the way, Sammy Cahn wrote all sorts of classics, including " Love and Marriage" and " Call Me Irresponsible." And in case you're not old, "Love and Marriage" was not written for " Married with Children."įUN FACT: "Let it Snow" was written in JULY, 1945, during a heatwave. So no money is getting paid out to anyone until the dust settles. Styne's widow made a claim against Warner/Chappell Music for more than $2 million in royalties, and Cahn's estate jumped in because they wanted a piece of the pie. The songwriters - Sammy Cahn and Jule Styne - are long dead, but their estates are squabbling over a fortune. " Let it Snow! Let It Snow! Let It Snow!" - which has been covered by Garth Brooks, Patsy Cline, Dean Martin, Carly Simon and many others - has made untold millions over the years.
The 2 famous songwriters who penned one of the most famous Christmas classics ever are at each other's throats - beyond the grave - 70 years after they dropped the tune.
0 kommentar(er)
